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Cildo Meireles, Glimpsing, 1970/94
From the New Museum:
Like other Brazilian artists of his generation, Meireles has sought to enlist all the senses into the experience of his work. Before entering Entrevendo [Glimpsing, 1970/1994], a gradually tapering wooden tunnel, visitors are given two small pieces of ice, one slightly sweet and the other slightly salty, to put in their mouths. At the same time, from the far end of the dark tunnel an unseen fan blows warm air in the viewer’s direction. By privileging what are considered “lower” orders of perception (taste and touch) over sight, Meireles shows how an exclusively visual experience can cut us from our other senses and limit our awareness.
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